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Swiss luxury watch manufacturer laboratory marks a decade since its first MB&F M.A.D.Gallery has opened its doors to art and watch collectors on Geneva’s Rue Verdaine in 2011, in the heart of the city’s Old Town. This unique concept that pairs art with with watches led to global expansion of further M.A.D.Gallery that opened in Taipei in 2014, a third one in Dubai in January 2016, and a fourth one in Hong Kong in October 2018. The M.A.D.Gallery in Dubai and MB&F shop-in-shop in Bangkok are the first locations to be fitted with the new architectural identity. The other galleries and several new shop-in-shops will follow suit in 2022 and 2023. The M.A.D.Gallery in Dubai. MB&F proposes a new hybrid retail presence called “MB&F Labs”. MB&F created the M.A.D.Gallery concept in 2011 in Geneva, in order to situate their Horological and Legacy Machines in an appropriate context (“M.A.D.” stands for Mechanical Art Devices). In addition to the M.A.D.Galleries, MB&F has defined a new hybrid retail presence called “MB&F Labs”. These will combine MB&F machines with a limited number of art pieces, in spaces not quite large enough to host a full-fledged M.A.D.Gallery. The first MB&F Labs will open in 2022 in Beverly Hills and Singapore. Max Büsser explains the concept behind the gallery and the common thread running through the various pieces presented: “We saw the M.A.D.Gallery as the perfect platform to showcase our own Machines as well as other pieces of mechanical and kinetic art by other creators whom we greatly admire. At MB&F we create Machines that happen to tell the time, not to tell the time. They are unique examples of mechanical horology but, more than that, they are pieces of three-dimensional kinetic art. The same goes for all the creators featured in the gallery: their craft transcends a practical purpose and their creations assume the status of artworks. Thanks to the M.A.D.Gallery, we are meeting like-minded artists operating in parallel worlds; people who think like us and share our passion for creating mechanical art.” The galleries present the range of MB&F’s Horological and Legacy Machines, but also the brand’s Co-creations such as the table clocks crafted with L’Epée 1839 or the music boxes created with Reuge – along with carefully-curated art pieces by various artists from around the world. Art, architecture, interior design and ... watches The third key element of the new design is the furniture, which Max Büsser explains as “something I would like to have in my own home”. The result is an homage to the quality and know-how of furniture craftsmen of the 50s and 60s. The main piece is a large table that has been modified by skilled carpenters so that it can display watches in recessed showcases embedded in the wooden surface. This watch display will take pride of place in the centre of the space and welcome the visitor to sit at the table and take the time of a conversation. Original mid-century chairs and a sofa convey a sense of quality and elegance, both around the table and in separate lounge and bar areas. In collaboration with Voltige Design & Architecture, a highly experienced team with offices in Geneva and Lausanne, MB&F has redefined the interior design and architectural identity for its M.A.D Galleries – starting with the largest of its galleries, located in the famous Dubai Mall. The fresh identity is also applied to the growing number of MB&F shop-in-shops at the brand’s retail partners around the world – like the MB&F corner at PMT-The Hour Glass in Bangkok – and to a new retail format dubbed “MB&F Lab”. Voltige founders Tyl Vergriete and Vincent Groetzinger started with a focal detail that would be a visual marker for each space. “We came up with the idea of a central element, a sort of giant lens that would turn the world upside down with its reflections that move as you walk past,” explains Tyl Vergriete. “It stands alone, but does not steal the attention from the other creations in the space.” Manufacturing the lens was an incredibly challenging process, carried out by a French ceramics company that has been in operation for over 170 years. Tyl continues: “Working with different artisans was also an important part of the project as MB&F wanted this element of craftsmanship to be present throughout, just like it is with their watches.”

The Salvatore Ferragamo Autumn/Winter 2022 collection debuts at the neoclassical Sala delle Cariatidi of Palazzo Reale, in the heart of Milan’s Piazza Duomo. Take a front-row seat and watch the coverage unfold.. The historic Sala delle Cariatidi of Palazzo Reale has been transformed into an immersive optical illusion, inspired by light sculpting artworks to display the new #FerragamoAW22 collection amidst diffused circles of coulour and vivid passages of lights.

This is a collection that revels in the unsung beauty of dressing as we see it pass by on our streets – clothes seen in situ. Boxy suiting and dry wool peacoats elicit the spirit of city commuters, their FinancialDistrict-severity counterposed by campily exaggerated peak lapels, the moodily adolescent, shrugged cut of the shoulder, and boomerang-slung sleeves. There is little here in MM6 Maison Margiela’s Autumn/Winter 2022 collection that you aren’t already familiar with; that you don’t already know and love. The collection is presented in an atmosphere that brings its all-purpose attitude into relief. In a dark space perfumed by the scent of the woods, and lit up by torchlight, the show’s ephemeral set evokes the cosiness of an evening spent around a campfire with friends. In many respects, this season marks a turn in the life cycle, a moment to both reflect upon its idiosyncratic design perspective, and to celebrate it with aplomb. Just as you’d see in real life, these cool, dusky silhouettes are styled with brazen-hued sneakers, the product of a collaboration with Salomon, the French outdoor sports apparel label whose function-first footwear takes to urban streets as naturally as to mountain trails. The brand’s most iconic pieces have been reimagined through MM6 Maison Margiela’s distinct lens. Lug-sole trail-running shoes in flame red and powder pink echo MM6’s mainstay ‘6’ heel ankle boot, with a pronounced block heel, a high top and exposed lacing. Elsewhere, a low-top model is fitted with a fluorescent gaiter, allowing for a more conventional sneaker silhouette. – Maison Margiela 163 Rue Saint Maur 75011 Paris phone: +33 1 44 53 63 03 – maisonmargiela.com facebook.com/maisonmargiela twitter.com/margiela instagram.com/maisonmargiela

Left to right in centre: H.E. Dr. Mohammed Saeed Al Kindi is a Senior Vice President at Invescore, The Prime Minister of the Republic of Mali, His Excellency Choguel Maiga, Dr. Tariq Ahmed Nizami, Founder & CEO of CEO Clubs Network Worldwide. The Prime Minister of the Republic of Mali, His Excellency Choguel Maiga and The Chairman of Future Trends Group His Excellency Farzam Kamalabadi, jointly hosted the Mali National Day Dinner & Reception Event in Dubai, February 24, 2022. Left to right in centre: H.E. Dr. Mohammed Saeed Al Kindi, H. E. Farzam Kamalabadi, Chairman of Future Trends Group, Prime Minister of the Republic of Mali, H.E. Choguel Maiga, Dr. Tariq Ahmed Nizami. This high profile by invitation only event was hosted in downtown of Dubai, with prominent local and foreign guests from Mail and Africa. Above and below: H. E. Farzam Kamalabadi, the Chairman of Future Trends Group. Left to right: H. E. Farzam Kamalabadi, the Chairman of Future Trends Group, Maria Hall, Moralmoda.

The Director of the AKBS Social Community Programs, Amb. Dr. Luis Suárez Hernández, had a Presidential Reception with the President of El Salvador, H.E. Nayib Bukele, during his official visit to the country. His official visit was also featured in Miami Diario and Diario Las Americas. Dr. Luis Suárez, Miami-based Cuban-American ambassador, educator and businessman, visited El Salvador to strengthen ties of friendship that help promote education and the country’s economy. Suárez’s motives were clear and precise, to be able to shake his hands and recognize Nayib Bukele, president of El Salvador, for his excellent career in education and for being an example of leadership worldwide. Likewise, it will collaborate for the economic growth and promotion of the country. With great pride, Suárez recognized President Nayib Bukele with a plaque from the Suarez Museum of Natural Science & History, a mobile museum that educates through the art of nature, which he directs as president and chief curator. Dr. Suárez also handed out pins and caps. One of them highlights the image of the Bald Eagle, the national bird of the United States, a species for which Suárez has been working for years to promote its rehabilitation in conjunction with other organizations. Through a pleasant meeting at the Presidential Palace with President Bukele, one of the topics discussed was the opportunities offered by El Salvador to develop crypto and blockchain projects, as well as the possibility of joining forces and collaborating in the process of launching “Bit Coin City”. Suárez continued with his agenda thanks to the Consul General of El Salvador in the United States, Eduardo Umaña, and Milena Mayorga, Ambassador of El Salvador in Washington DC, United States, who were aware of his visit to the country and in charge of his agenda at all times. Ambassador Luis Suárez toured interesting areas of the country together with the delegation from the United States made up of Mardoqueo Tochez, Minister Counselor of the Embassy of El Salvador in the United States, Nicole Navas, Head of Sales of the Crypto World Con, Troy Vanderburg, Chief Revenue Officer 10XTS, Carmelo Milan, CEO and founder of Polka City, Justin Ballard, CEO & co-founder of JAl Energy LLC, Ryan Leachman, co-founder of JAI Energy LLC and Daniel Balwin, actor, director and producer. Suárez also had the honor of meeting with Maria Luisa Hayen Brevé, Minister of Economy, Alejandro Zelaya, Minister of Finance, Jerson Rogelio Posada Molina, Vice Minister of Finance, and Adriana Mira, Vice Minister of Foreign Affairs. Suárez thanks Oscar Alfredo Parada, Municipal Mayor of La Unión, Emilio Quezada Fernández, Municipal Mayor of Conchagua, Elías Gómez, Head of Economic Diplomacy, Alejandra Guirola, Technical Specialist in Economic Diplomacy, and the Salvadoran Air Force for their welcome and attention. Upon his return to the United States, Luis Suárez expressed his experience regarding the great opportunities that exist in the country and how safe he felt during the trip. Suárez is co-founder and International Relations Executive of Moon Walker USA inc and JC Luna – Chief Investment Officer, as well as ambassador of the International Commission on Human Rights, and Environmental Ambassador in the Galapagos Islands. Content courtesy of AKBS. See more on http://akbs.assafdynasty.com/2022/02/24/presidential-reception-for-amb-dr-luis-suarez-in-el-salvador

THE ICONIC SPIRIT OF ECSTASY IS REDESIGNED FOR MOST AERODYNAMIC IMAGE AND DESIGN Muse, the Rolls-Royce Art Programme, today announces the commencement of the inaugural Spirit of Ecstasy Challenge. As a biennial initiative, the Spirit of Ecstasy Challenge invites emerging design visionaries to create unique works inspired by Rolls-Royce and the Spirit of Ecstasy, the sculptural figurine that adorns the bonnet of every Rolls-Royce motor car. The Spirit of Ecstasy symbolises excellence, innovation and creativity, and is the ideal muse for this new, future focused design initiative. “The Spirit of Ecstasy Challenge is the second commissioning initiative of Muse, the Rolls-Royce Art Programme. While the Dream Commission supports artists working with moving-image art, the Spirit of Ecstasy Challenge embraces the diverse skill and creativity that exists within the world of design. "Through the Spirit of Ecstasy Challenge, Rolls-Royce harbours a desire to expand technical and conceptual boundaries, leaving a legacy of creative achievement with the Spirit of Ecstasy as its point of reference. This reflects the very essence of who we are at the House of Rolls-Royce – we have an enduring commitment to craftsmanship, rarity, conscientiousness, and of course, a constant striving for perfection. I hope to see this translated into the creations of the three Spirit of Ecstasy Challenge finalists.” Anders Warming, Director of Design, Rolls-Royce Motor Cars. (above)

Dubai is set to host the region’s biggest creator economy summit from the 22nd-23rd of February 2022, SUPERVERSE; covering web3 and the metaverse. How to “make it” in the new creator economy WOM Protocol Pte. Ltd. - Dubai is set to host the region’s biggest creator economy summit from the 22nd-23rd of February 2022, called SUPERVERSE, organized WOM Protocol Pte. Ltd. The immersive event will assemble 70+ speakers and creators with over 350m+ amassed reach, including: world-renowned music artist BIA, cutting edge tech founders and visionary investors. SUPERVERSE discusses transformational shifts within the physical and digital world that are shaping the way creators: create, consume, monetize and identify themselves. Core topics covered include: Web3, NFTs, DAOs and Metaverses. SUPERVERSE will take place at the Dubai Festival Arena on the 22nd of February and the summit will host up to 5,000 people, including a highly curated speaker roster with leading creators and cutting edge tech founders. Some of the first announced speakers include: Fabian Vogelsteller (Founder of LUKSO), Sid Kalla (Co-Founder & CTO Roll), Ivan Liljeqvist (Founder of Moralis), Nuseir Yassin (Founder & CEO Nas Daily and Nas Academy), David Ehrlichman (Author Impact Networks), Marcus Holmström (Co-Founder & CEO at The Gang Sweden), Gala Marija Vrbanic (Founder & CEO at Tribute Brand) and many more. Attendees will network and experience immersive brand activations, in addition to a high energy fashion show, live performances and a celebrity music performance from BIA. On the 23rd of February, SUPERVERSE will host an exclusive networking event for selected partners, founders and top creators. In addition, SUPERVERSE has partnered with VOSTAD, one of the leading event organizers in the UAE who have produced global summits and conferences since 2013 within the region and across asia. VOSTAD’s World Meta Summit has merged with SUPERVERSE to an ultimative event format and added many of its media partners and speakers such as Dirk Lueth (Co-Founder & Co-CEO Upland). Cointelegraph has also joined SUPERVERSE as media partner, to report on the latest discussions hosted at SUPERVERSE. Some of the further brand partners include: Dreamscape Immersive, CoinPayments, VinFast, SolChicks, Meta Metaverse, Tribute Brand, Moralis, OneArt, Global Blockchain Initiative (GBI) and more. The ticket sale for SUPERVERSE is live and will enable visitors that join to get access to the SUPERVERSE DAO, planned for coordinating future events. SUPERVERSE will announce more about the additional speakers, partners, celebrities and the DAO soon. Read more on superverse.me

THE ALPINA GSTAAD LAUNCHES ITS FIRST EVER ARTIST'S RESIDENCY THIS WINTER SEASON, HOSTED BY TO.ORG AIMED FOR INTERNATIONAL ARTISTS, DESIG- NERS, AND ARCHITECTS WITH A SERIES OF CREATIVE WORKSHOPS THAT WILL TAKE PLACE IN A RARE DEMOUNTABLE HOUSE DESIGNED BY JEAN PROUVÉ IN THE 1940s. This initiative conceived by Nachson Mimran, (CEO of to.org and Creative Director and Chairman of the Board of The Alpina Gstaad), will curate a series of creative workshops, with artists from Europe, Africa and the Americas, in the grounds of The Alpina Gstaad, set in the exclusive Oberbort area of Gstaad, in the heart of the Bernese Alps. The first of these creative workshops commenced on 8 December with the renowned Burkinabè architect, Francis Kéré. The lineup of creatives involved in the series includes numerous friends of to.org, such as Smithsonian Institute fellow, and Washington, D.C.-based artist, Victor Ekpuk; US artist and film- maker, Doug Aitken; award-winning designer Ini Archibong; architect for NASA’s 3D Printed Mars Habitat Challenge and Principal & Head of Design at Hassell, Xavier De Kestelier; Johannesburg-based Serpentine Pavilion architect, Sumayya Vally; Uganda-based Congolese refugee and self-taught architect, Patrick Muvunga; Swiss artist Raphael Hefti; and Rasmus Nielsen of Danish art collective Superflex. To:Foundation The creative workshops will explore themes around equalising opportu- nity and refugee empowerment - missions that are at the core of To:Foundation’s work, and the resi- dencies can help to “devise solutions to vital challenges and drive inspiration." stated Nachson Mimran, noting that the Foundation's “aim is to level the playing field and equalise opportunity for all." The local community and guests of The Alpina Gstaad will be able to interact with these designers and artists and their works. “This artist's residency brings together a selection of the world’s most brilliant minds in art and architecture" said Nachson Mimran. The series will end in March 2022, see more at thealpinagstaad.ch.

Marvels Events Management present Fashion Factor. For the first time Fashion Factor will take place in Dubai and therefore, the location was chosen to showcase the wonders of the capital of Fashion of the Middle East. The Fashion Factor Council presents this new edition of Fashion Factor competition. The show will take place in Dubai on the 28th February 2022 and will begin at 16:00 (GMT+4). The designers that will participate in Fashion Factor are from different countries, making this event a bridge for a chance of international success of local and international designers. Giving them visibility and an opportunity to connect with other designers and celebrities of the Fashion Industry. The jury for Fashion Factor is composed by such big names and experts in the Fashion field which will be a learning opportunity for the competitors. Fashion Factor will be a competition were each designer will present their best creations and collection. The winner will be chosen based on the designs, makeup and overall show put on by the models. The winner of Fashion Factor will get a chance to participate in Middle East Fashion Week. Fashion Factor will sustainability fashion designers, including Monaco-based eco-luxury brand MARLI Dreses. This year MALI Dresses collaborates with model and actress Victoria Silvstedt in their new capsule collection named the Wild Life Collection. The collaboration with renown model puts in focus sustainability in fashion, since Victoria is a long-time advocate of animal welfare. The founder of Marli Dresses, said, "It took several months to find the right fabrics and colors that were flattering and at the same time reflective of nature. The resulting line includes pieces such as delicate beach coverups with bold animal prints, and high waisted wrapped silk miniskirts in a variety of eye catching colours. The new line is extremely versatile in styling and can be worn on many occasions, from a relaxing day at the beach to a night out in the city. Flattering on every body type, the pieces are meant to accentuate the feminine curves, resulting in beautiful silhouettes, and adding an elegant touch to every outfit." It will be exciting to discover Marli Dresses collection in Dubai in February with all other brands, and participants. Reserved seating will be assigned and transport for VIP guests will be arranged by Hongqi. The competition will begin at 19:00. Furthermore, guests will be welcome to an after-party and with our sponsor Red Bull, with the taste of THE RED EDITION. www.fashionfactormea.com RSVP or for additional information contact: info@fashionfactormea.com www.marvelsmea.com Instagram: @thefashion.factor

BADRUTT’S PALACE HOTEL RECOGNIZED WITH CONDÉ NAST TRAVELER’S 2021 READERS’ CHOICE AWARD “NO. 1 HOTEL IN EUROPE – CENTRAL” The World’s Best Hotels, Resorts, Destinations, Spas, Trains, Car Rentals, Luggage, Airlines, Airports, and Cruises Ranked by Travelers. In 2021 Badrutt’s Palace, celebrated 125 years of legendary service, is an iconic 156-room luxury hotel with a magical atmosphere 6,000 feet up in the Swiss Alps where guests indulge in a specialized curation of style, seasonal sports, haute cuisine, wellness, luxury, and one-of-a-kind moments. Reopening for the winter season on December 3, Badrutt’s Palace is at the heart of quintessential alpine winter activities such as skiing, ice skating, tobogganing, and skijoring. The luxury property offers expansive spa facilities, including indoor and outdoor infinity pools. St Moritz is Swiss upscale resort, set against mountain views, the Palace Galerie on Via Serlas, known as the shortest, highest luxury retail street in the world, 43 diverse suites, and world class dining at the property’s ten restaurants, including IGNIV by Andrea Caminada, a fine dining experience with two Michelin Stars. Starting rates for the winter season are CHF 834 per night. For more information, visit https://badruttspalace.com/winter/

As Valentine’s day approaches, Ulyana Sergeenko has compiled a selection of looks and accessories to gift yourself and your loved ones. Discover elegant dresses and jackets as well as classic accessories: sunglasses, silk scarves, leather cosmetics cases and signature bags - all in hues of red to match the occasion’s theme. Ulyana Sergeenko's signature style is inherently romantic and emphasises the modern heroine, who lives with passion and big love to the world. Designer is inspired by Art Deco and characters from the Russian and American contemporary world of art and philosophy. Discover more on www.ulyanasergeenko.com

In this interview, curator Tanya Barson at Hauser & Wirth, talks about her work for the gallery and the highly complex group exhibition, titled ‘Chromophilia', currently exhibiting various contemporary artists at gallery's space at Limmatstrasse, Zurich. Images: Installation view, ‘Chromophilia’ at Hauser & Wirth Zurich, Limmatstrasse, until 12 March2021. The artists and estates. Courtesy the artists and estates. Photo: Jon Etter. MM: What is your role at Hauser & Wirth? Tanya Barson: My role is a curatorial one, which is my background, based in London but working as a Curator-at-Large where I’m needed across the Hauser & Wirth organisation. It’s a new role. MM: What can you tell us about Hauser & Wirth's exhibition space at Limmatstrasse, Zurich? T. B.: This is the first exhibition I have curated at the Hauser & Wirth gallery at Limmatstrasse. It’s a former brewery, so an adapted industrial building and it bears the traces of its past use, such as the tiled columns. Because of this history it is quite an idiosyncratic space, and more so that I expected since I was using the ground floor space which is large but does not follow a regular geometry. But it was fun to work with the idiosyncrasies. MM: What characterises this exhibition space compared to Hauser & Wirth's new gallery at Zurich's Bahnhofstrasse? T. B.: The new gallery at Bahnhofstrasse is very different. Its in a completely different part of the city, near the lake and on one of the most exclusive streets. It has glass walls so is quite challenging for showing some kinds of work. Having said that the exhibition I saw there, focusing on Max Bill and his circle, used the space beautifully. MM: ow did you start planning the current 'Chromophilia' show? How did it come about? T. B.: I’ve worked with colour as a theme before, mostly for collection presentations at Tate or MACBA. I’ve been interested in the cultural perception of colour for a long time however, particularly as I studied Matisse as a student. Though not in the show Matisse is another artist whose work addresses the use of colour in really inventive ways, he was the original fauvist, and was particularly influenced by visits to Morocco in his use of colour. I had read the book Chromophobia by David Batchelor some years ago and it seemed to me that the ideas that book addresses are still problematic in the art world and in wider culture today. Its an incredibly generous book, a great read and still very relevant. In Europe we still regard colour with suspicion – the chromophobia David identified - and its associations depend on our cultural conditioning. This exhibition was a further attempt to address and dismantle some of those ideas that denigrate colour or that aversion to colour and yet to do so in a joyful and generous way. MM: What are the main themes in this exhibition? T. B.: The central idea of the show is firstly to demonstrate how important colour has been to modern and contemporary artists, and to show how they have liberated or emancipated colour so that it is no longer secondary to line and form but is explored and celebrated in its own right. The other aspect was to address some of the cultural associations of colour that have resulted in its denigration in Western or European culture certainly since the Enlightenment. Colour is associated with other cultures, with childhood and with femininity and thus, as Batchelor explains, it has been othered. Vibrant colour particularly so. In contrast dark or muted colours, or the absence of colour has been associated with seriousness. All of this is down to a cultural construction or system that governs our lives and behaviours. We need to question and re-examine our relationship to colour, and the assumptions it is based on, and the artists and works in this exhibition help us to do so, they make us see the importance of colour in art and in the world anew. They make us see that there is a politics of colour that need to be addressed more fully. MM: Does contemporary art enable the emancipation of colour and the study of colour as a subject of an artwork? And what methods do contemporary artists implement to expand our understanding of the colour's phenomenology and traditional perception of its symbolism? T. B.: Colour has formed a huge area of investigation in the modern period, from the colour theory of Goethe to the colour exercises of the pedagogue Friedrich Froebel both of which were influences on the colour theory of the avant-garde particularly via the Bauhaus and Kandinsky, Klee and Albers. Later artists such as Yves Klein and Helio Oiticica explored colour as pigment for its scientific, phenomenological and cosmic properties. In many ways the philosophy of colour has been a huge part of the revolution in art that has taken place in the modern period. Contemporary artists inherit and continue that tradition. MM: Is colour's phenomenology and its perceived meaning changed through the digitalization of communication and social interaction? T. B.: Undoubtedly digital forms will change our relation to colour to some extent. All media or supports do so. But the cultural framework and ideas that govern our relationship to colour exist beyond any one media. Biography: Tanya Barson is Senior Director (Curator-at-Large) at Hauser & Wirth. She was Chief Curator, MACBA, Barcelona 2016-2021; Curator of International Art, Tate Modern 2007-2016; Exhibitions and Collections Curator, Tate Liverpool 2004-2007; and Assistant Curator, Tate, Millbank, 1997-2004. She has curated important exhibitions of Felix Gonzalez-Torres (2021); Christian Marclay (2019); Rosemarie Castoro (2017); Georgia O’Keeffe (2016); Mira Schendel (2013); Ellen Gallagher (2007) and Frida Kahlo (2005) and the major thematic exhibition Afro Modern: Journeys Through the Black Atlantic (2010) among others. Her first exhibitions for Hauser & Wirth, Chromophilia in Zurich and Bodily Abstractions / Fragmented Anatomies in Monaco, opened in January 2022. See more on www.hauserwirth.com